The characterization of the main pigments present in the papier-mâché relief depicting a “Madonna and Child” by Jacopo Sansovino, preserved at the National Museum of Fine Arts in Budapest, has been carried out using non-destructive techniques. In particular, an XRF portable instrument and an XRD apparatus were used in order to determine the elements and compounds of the pigments, respectively. The experimental results indicate that zinc and barium are present on the relief, and this demonstrates that the artwork has undergone restoration since zinc has been in use since 1840 AD. Moreover, radiographic and stereoradiographic analyses were performed several times in order to assess the condition of the work and, above all, the state of the bo...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...
A study on the painting materials (pigments and binders) of the famous painting “Madonna col Bambino...
The characterization of materials used in the archaeological field needs an experimental approach in...
In this work, decorative wallpapers (19th century) from an historical palace located in Oiartzun (Ba...
In recent years, several studies have been conducted on 19th century works of art mainly from a cogn...
The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th centur...
International audienceThe "CLARO" project deals with the analysis of the pigments and the watermarks...
Recent studies are concisely reviewed, in which X-ray beams of (sub)micrometre to millimetre dimensi...
The present work was aimed at characterising the materials and assessing the state of conservation o...
Micro-fragments of the painted part of the ‘Cembalo’ model by Michele Todini (1625–1689) are investi...
Pre-restoration materials research of the painting is based on microscopic (both optical and electro...
International audienceTwo polychrome sculptures from the late Middle Age were investigated by means ...
Abstract The main objective of this study is to establish an appropriate method for the characteriza...
In this paper, chemical and structural studies of medieval wall paintings in Ocre (L'Aquila, Italy) ...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...
A study on the painting materials (pigments and binders) of the famous painting “Madonna col Bambino...
The characterization of materials used in the archaeological field needs an experimental approach in...
In this work, decorative wallpapers (19th century) from an historical palace located in Oiartzun (Ba...
In recent years, several studies have been conducted on 19th century works of art mainly from a cogn...
The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th centur...
International audienceThe "CLARO" project deals with the analysis of the pigments and the watermarks...
Recent studies are concisely reviewed, in which X-ray beams of (sub)micrometre to millimetre dimensi...
The present work was aimed at characterising the materials and assessing the state of conservation o...
Micro-fragments of the painted part of the ‘Cembalo’ model by Michele Todini (1625–1689) are investi...
Pre-restoration materials research of the painting is based on microscopic (both optical and electro...
International audienceTwo polychrome sculptures from the late Middle Age were investigated by means ...
Abstract The main objective of this study is to establish an appropriate method for the characteriza...
In this paper, chemical and structural studies of medieval wall paintings in Ocre (L'Aquila, Italy) ...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...
A study on the painting materials (pigments and binders) of the famous painting “Madonna col Bambino...
The characterization of materials used in the archaeological field needs an experimental approach in...